Showing posts with label Brokeback Mountain. Show all posts
Showing posts with label Brokeback Mountain. Show all posts

Wednesday, January 23, 2008

The Talented Mr. Ledger

I'm not sure what I could possibly say about Heath Ledger's shocking death that hasn't already been said online or among conversations with friends.  But as someone who's spent the last six months touting Ledger's upcoming performance as The Joker and who admired his work in Brokeback Mountain, I figured I should write something.  I was stunned when I saw the headline on my Google Reader, followed shortly by an e-mail from Mis Hooz (who actually doesn't work very far from the scene in question), and a subsequent phone call.

I've often sneered at my mother for talking about celebrity news so seriously, as if it involves someone she might know.  But today, I was right there with her.  What a crazy tragedy.  Only 28 years old, tremendously talented, and a great future in front of him.  Ledger's career was about to blow up with The Dark Knight.  Now that role (which he had completely finished, by the way) is going to carry a whole other level of meaning with it.

This was an actor who enjoyed challenging himself.  Playing The Joker is indicative of his choices.  Here was a guy who could've played Batman or any other superhero.  But he wanted to play the scarred, psychotic villain.  I imagine that portraying a closeted gay cowboy isn't a direction that many actors would've opted for at that point in their careers, either.

Maybe Ledger challenged himself a bit too much.  That was some of the speculation during much of the news coverage last night, sprinkled in between guesses at the cause of death.  Here's a quote from a November New York Times article that's been cited:

He is here in London filming the latest episode of the “Batman” franchise, “The Dark Knight.” (Mr. Bale, as it happens, plays Batman; Mr. Ledger plays the Joker.) It is a physically and mentally draining role — his Joker is a “psychopathic, mass-murdering, schizophrenic clown with zero empathy” he said cheerfully — and, as often happens when he throws himself into a part, he is not sleeping much.

“Last week I probably slept an average of two hours a night,” he said. “I couldn’t stop thinking. My body was exhausted, and my mind was still going.” One night he took an Ambien, which failed to work. He took a second one and fell into a stupor, only to wake up an hour later, his mind still racing.

Even as he spoke, Mr. Ledger was hard-pressed to keep still. He got up and poured more coffee. He stepped outside into the courtyard and smoked a cigarette. He shook his hair out from under its hood, put a rubber band around it, took out the rubber band, put on a hat, took off the hat, put the hood back up. He went outside and had another cigarette. Polite and charming, he nonetheless gave off the sense that the last thing he wanted to do was delve deep into himself for public consumption. “It can be a little distressing to have to overintellectualize yourself,” is how he put it, a little apologetically.

Who knows?  Well, I guess we'll know after the autopsy.  Speculation has ranged from suicide to accidental overdose to pneumonia.  Either way, parents have now outlived their son, a daughter doesn't have a father anymore, and filmgoers are deprived of a great talent.

If you have any doubts about that, check out one of the best scenes Ledger ever performed in one of the most important movies of the last ten years.



Monday, March 06, 2006

Why did I bother: the 78th Academy Awards

On Friday, USA Today's Whitney Matheson said she had a feeling the Oscars would be "rather long and tedious." When I read that, I hoped she was wrong. But she nailed it exactly. I enjoy watching the Oscars, treating it almost like a big sporting event, but last night's show was really boring. I had it on in the background, but looked for other things to do throughout the telecast. My checkbook is balanced. My laundry is done. My desk is clean, mostly because I finally blew through all of the magazines I'd picked up over the past couple of months.

I thought Jon Stewart would be the best part of the show, but he lost me at the opening monologue, which just felt forced. He seemed awkward most of the night, like he was holding back the jokes he really wanted to tell. But I did like the "Daily Show"-esque pre-taped segments, like the "negative campaign ads" and Tom Hanks' demonstration of what would happen to anyone whose speech ran too long.

Here are the awards I would've passed out (and a list of actual winners):

I Am a Woman and My Dress Proves It: Felicity Huffman.

(Photo by Kevork Djansezian/AP)

I Won Last Year So I Don't Have to Wear a Tie (and Oh Yeah, I'm Morgan Freeman):
Morgan Freeman

Best Actress Accessory: Pregnancy (and post-pregnancy). Did you see Rachel Weisz as she stepped up to accept her award? Hoo mama. And Jennifer Garner was so... full (as my mother, the post-partum care nurse, would say), her balance was thrown off. Did you see her stumble?

Best Cleavage (non-mother): Salma Hayek. A repeat winner from last year, and the winner every year she attends the Oscars. Which award did she present, anyway?

Smartest Guy in the Room: Jack Nicholson, for getting his seat next to Keira Knightley.

Hey, That's How I'd Dress: Larry McMurtry, co-winner for Best Adapted Screenplay. He was already one of my literary heroes, but after seeing him dressed in blue jeans with a tuxedo jacket and top, I look up to him for his fashion sense, as well.

Worst Idea: Playing music through each winner's entire acceptance speech. It reminded me of when Howard Stern plays sad music during Robin Quivers' newscast. (Close second: the production numbers for two of the three Best Song nominees. Burning cars onstage? Pimps and ho's dancing?)

That Guy Loves Himself: M. Night Shyamalan and his MasterCard commercial, in which a fan comes up to tell him how great his films are. Did Shyamalan write the ad himself? I don't think you'd see any other director in a self-congratulating ad like that.

Wow, That Looks Stupid
: This isn't Oscar-related, but ABC's new reality show, American Inventor, looks awful. Having said that, should we bet that I'll somehow be watching it by April?


And, once again, because my Mom wants to know, here's how I did on my Oscar picks. My future is clearly not in prognosticating:

BEST SUPPORTING ACTOR
My pick: Matt Dillon
Actual winner: George Clooney

Did I really pick against Clooney? Man, that was dumb. As RC pointed out in Friday's comments, Clooney had "the buzz" around him. Plus, the guy had to win something, with nominations for acting, writing, and directing.

BEST SUPPORTING ACTRESS
My pick: Michelle Williams
Actual winner: Rachel Weisz

Weisz was good in The Constant Gardener, but this is where the Oscars really got it wrong. (Though Evan called it right.) Williams had the more impressive performance. Plus, her dress deserved to go onstage. She looked great.

(Photo by Steve Granitz/ WireImage.com)


BEST ACTRESS
My pick: Reese Witherspoon
Actual winner: Reese Witherspoon

Like I said, this was the lock of the night. Maybe a little too long with the speech, though. Where was the blowdart from the clarinet when we needed it?

BEST ACTOR
My pick: Philip Seymour Hoffman
Actual winner: Philip Seymour Hoffman

I thought this was a lock, too, though Hoffman's competition was tougher than Witherspoon's. I was just glad to see him get rewarded, because he makes daring choices that don't usually get Oscar nominations.

BEST DIRECTOR
My pick: Ang Lee
Actual winner: Ang Lee

You know, this was probably a lock, too. Lee made the best movie (in my opinion), and deserved to be recognized for that. And maybe someday, I'll forget that he made Hulk, which should've been one of the best comic book movies ever.

BEST PICTURE
My pick: Brokeback Mountain
Actual winner: Crash

Does it make any sense to say I'm not surprised Crash won, yet I'm stunned that Brokeback Mountain did not win? As I said on Friday, maybe I'm attributing too much to Brokeback's cultural impact, instead of its merit as a movie.

But I watched Crash again on Saturday night, and it's a good movie, but I just don't think it has as much to say about hate and intolerance, and how that affects people's lives. But maybe it does comment on those subjects in more of an everyday context by showing how anger seems ingrained in our society. I'm kind of thinking out loud here, trying to make sense of this.

(David Poland probably does a better job of explaining Crash's win at The Hot Button.)

To me, it was a disappointing end to a disappointing show, the end of which I had to force myself to stay up and watch. For those of you who watched, let alone stuck with it, what did you think?

Friday, March 03, 2006

Makin' my Oscar list and checkin' it twice

Oy, it's been one of those weeks. It seems like I've either been fighting a cold, dealing with pending computer issues (Hey, Toshiba! Feel free to process my #@$%ing order any time now!), or sitting - to quote myself from last night - "tit-deep" in all things Detroit Tigers for a magazine assignment.

So I have a few thoughts and ideas sitting in the "draft" box, waiting for some proper attention. I really do want to get to them, and not just because I want to, but because I should. So I will. Unfortunately, they'll probably have to wait until next week. If I don't do something to decompress, like walk around downtown, watch a movie, chill out with a book in a coffee shop, or peruse a bunch of stuff I shouldn't buy at a bookstore, my forehead might somehow crush itself under its own weight.

But with the Academy Awards coming up on Sunday night, I wanted to post my predictions. Just so I can brag (modestly, of course) if I get it right. I thought about live-blogging the show, but it's too damn long with so many awards that just don't warrant much response. Besides, that would keep me from chatting on the phone or instant-messaging, which is where most of the fun - unless you're at an Oscars party - comes in. I'll probably post some of my own awards, like I did last year, along with seeing how many picks I got wrong. I hope you guys join in, too.

Speaking of those picks...

BEST SUPPORTING ACTRESS
Michelle Williams - Brokeback Mountain

Won't it be funny when the actress from Brokeback Mountain gets an award instead of the actors? But there's one moment when Williams really impressed me. When she catches her husband in a scenario she never imagined, she completely sold it. Many actresses probably would've overplayed it for the drama. But Williams didn't. Her devastation is all in her face. She's someone who doesn't know how to react. It seemed real to me, rather than acting.

BEST SUPPORTING ACTOR
Matt Dillon - Crash

I don't know if it's much of a stretch, but this is my go-out-on-a-limb pick. My man-crush, George Clooney probably won't forgive me. And Jake Gyllenhaal could win this. But if Crash is going to win any award (besides Best Original Screenplay), I think it'll happen here. If you think this movie is important, its message is most represented through Dillon's character. This might also serve as kind of a reward to Dillon for his career. But it's not like his performance doesn't deserve it.

BEST ACTRESS
Reese Witherspoon - Walk the Line

It's surely unfair to say this is the weakest category when I've only seen one of the five nominated performances. But it looks that way to me. Walk the Line isn't much of a movie without Witherspoon because she has to make you believe she's someone Johnny Cash would fall in love with. And she does it. She's charming, she's funny, she's caring, and most of all, she's conflicted. And she shows her pain. But she's also fierce about what she believes in.
This is the lock of the night.

BEST ACTOR
Philip Seymour Hoffman - Capote

I know a lot of people think Heath Ledger should win this, and I wouldn't argue with that, but this should be the lock of the night. It's not about the funny voice and the arrogant personality (with a touch of flamboyance). It's about portraying a guy who's an outsider in one circumstance, and the life of the party in another. And he roots for something terrible to happen, knowing it will make his career, yet realizing it's wrong to wish for. Plus, isn't it about time Hoffman was rewarded for his work?


BEST DIRECTOR
Ang Lee - Brokeback Mountain

I'll probably never forgive Ang Lee for making Hulk. That movie should've been - ahem - incredible. I don't know what the #@$% he was doing there. But I'm backing off a bit now, because he followed it up with a beautiful - and important - film. Lee doesn't hit you over the head with a message. He lets the images and the moments speak for themselves. And if Ledger, Gyllenhaal, and Williams are better here than in anything else they've done, shouldn't Lee get some credit for that?


BEST PICTURE
Brokeback Mountain

It's almost impossible not to consider this movie's cultural impact when discussing its merits. (How many bad Brokeback jokes have you heard lately?) Maybe it's not as good as Crash or Capote. But I think it is. And considering the significance it carries, that's more than enough to give it Best Picture. This movie matters. And how many times can you say that? If it doesn't win, we'll be looking back in 10 years and asking what the #@$% happened. Because in 10 years, we'll still be talking about this film.

And for the writers in the house, I have to mention the screenplay awards. No surprises, though. Crash (which, yes, I finally watched, and yes, Hoyt, I really liked it) will win the BEST ORIGINAL SCREENPLAY award and Brokeback Mountain will get BEST ADAPTED SCREENPLAY. The best movies of the year get what they deserve.

I can't wait. Do I get too excited about the Oscars? Probably. But hey, I love movies. And how great a host is Jon Stewart going to be? C'mon over, we'll have a party. Bring dip. I have beer.

Tuesday, January 31, 2006

Okay, I'll rent Crash

Here's what I've learned after just watching the Academy Award nominations announced on Good Morning America:

1) I think I might type fast enough to be a court stenographer.
2) I really, really need to rent Crash. It's been at the top of my Netflix queue forever.

Even though you may have seen these elsewhere by the time you read this, I went to the trouble of typing them out, dammit, so they're being posted here. (I should've just waited until the complete list was posted online.)

Best supporting actress:
Amy Adams - Junebug
Catherine Keener - Capote
Frances McDormand - North Country
Rachel Weisz - The Constant Gardener
Michelle Williams - Brokeback Mountain

Best supporting actor:
Matt Dillon - Crash
George Clooney - Syriana
William Hurt - A History of Violence
Paul Giamatti - Cinderella Man
Jake Gyllenhaal - Brokeback Mountain

Best Actress:
Judi Dench - Mrs. Henderson Presents
Felicity Huffman - Transamerica
Keira Knightley - Pride & Prejudice
Charlize Theron - North Country
Reese Witherspoon - Walk the Line

Best Actor:
Terrance Howard - Hustle & Flow
Philip Seymour Hoffman - Capote
Heath Ledger - Brokeback Mountain
Joaquin Phoenix - Walk the Line
David Strathairn - Good Night, and Good Luck

Best Director:
Ang Lee - Brokeback Mountain
Bennett Miller - Capote
Paul Haggis - Crash
George Clooney - Good Night, and Good Luck
Steven Spielberg - Munich

Best Original Screenplay:
Paul Haggis and Robert Moresco - Crash
George Clooney - Good Night, and Good Luck
Woody Allen - Match Point
Noah Baumbach - The Squid and the Whale
Stephen Gaghan - Syriana

Best Adapted Screenplay:
Larry McMurtry and Diana Ossana - Brokeback Mountain
Dan Futterman - Capote
Jeffrey Caine - The Constant Gardener
Josh Olson - A History of Violence
Tony Kushner and Eric Roth - Munich

Best Picture:
Brokeback Mountain
Capote
Crash
Good Night, and Good Luck
Munich

The first thoughts to come to my mind?

▪▪ I think Walk the Line got ripped off a bit. Yet as I look at the Best Picture nominees, I can't think of one movie to replace. (Again, I haven't seen Crash.) Same with the Best Director category. Maybe it could've gotten a Best Screenplay nomination instead of Match Point (which I'll write about later this week; here's a preview: I didn't like it) or Good Night, and Good Luck (which was structured well, but seems like more of an actor's showcase). But I realize I probably liked that movie more because of my feelings for Johnny Cash's music.

▪▪ If Brokeback Mountain won for each of its eight nominations, I wouldn't have a problem with that. Each of them would be well-deserved.

▪▪ I haven't seen Cinderella Man yet (though a disc from Netflix is currently sitting on top of my TV), so I can't say if Russell Crowe got snubbed. I think Ralph Fiennes could've been nominated for The Constant Gardener. What about Viggo Mortenson for A History of Violence? Or Jeff Daniels for The Squid and the Whale? But look at the other nominees for Best Actor. Who would you replace? That might be the toughest category.

▪▪ I should really rent Crash. Others I need to see: Hustle & Flow and Junebug.

▪▪ I thought William Hurt was awful in A History of Violence, but I'm apparently in the minority with that opinion. Anyone else who's seen it thinks I'm wrong, and obviously the Academy thinks highly of Hurt's performance. I thought it was a bad Christopher Walken imitation. I'd have nominated Clifton Collins, Jr. for Capote instead.

▪▪ I haven't seen Mrs. Henderson Presents or Pride & Prejudice, so I can't say if you'd replace Judi Dench or Keira Knightley, but I think you could've nominated Maria Bello for A History of Violence.

Friday, December 09, 2005

I've got a movie itch

Here's a pet peeve for the weekend: Movies I want to see that open in New York and Los Angeles first. (Stop laughing, Mis Hooz.)


Look, I know I'll get a chance to see Brokeback Mountain at some point. Maybe even next week. But after reading so much about it, and seeing Ang Lee and Heath Ledger interviewed on The Charlie Rose Show this week, I'm ready to see it now. And it's not here. Screwed again in the Midwest, man.

While I'm waiting, however, the New Yorker has done something very cool, posting Annie Proulx's original short story, upon which the movie's based, on its website. (Thanks to Pop Candy, which has become one of my favorite blogs, for the heads-up.)

▪ ▪ David Poland has changed his views on the film, after repeated viewings, which has been interesting to read. (Watch out for the spoilers.) I wish more film critics would do this.

▪ ▪ I've also enjoyed reading Dave Cullen's anticipation of the movie and explanation of why this movie it's so important to him. He's written and collected a lot about it, which can be found here.

On another movie note, have you seen the trailer for Match Point? If not, it looks like an exciting thriller, and not just because my fantasy girlfriend, Scarlett Johansson, is in it. But if you have, were you surprised when you saw who directed the film, like I was?

Meanwhile, Syriana looks like a good one. I'll try to catch that this weekend. George Clooney is my brother in beardom.

(Image from "The Boondocks" © 2005 Aaron McGruder)